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English film director Alfred Hitchcock made cameo appearances in 39 of his 52 surviving major films (his second film, ''The Mountain Eagle'', is lost). For the films in which he appeared, he would be seen for a brief moment boarding a bus, crossing in front of a building, standing in an apartment across the courtyard, or even appearing in a newspaper photograph (as seen in the film ''Lifeboat'', which otherwise provided no other opportunity for him to appear). This playful gesture became one of Hitchcock's signatures; and fans would make sport of trying to spot his cameos. As a recurring theme, he would carry a musical instrument — especially memorable was the double bass case that he wrestles onto the train at the beginning of ''Strangers on a Train''. In his earliest appearances, he filled in as obscure extras in crowds or walking through scenes in long camera shots. His later appearances became more prominent, such as when he turns to see Jane Wyman's disguise as she passes him in ''Stage Fright'', and in stark silhouette in his final film ''Family Plot''. His appearances became so popular that he began to make them earlier in his films so as not to distract the audience from the plot. Hitchcock confirms this in extended interviews with François Truffaut,〔Truffaut, François (1968) ''Hitchcock'', Secker and Warburg〕 and indeed the majority of his appearances occur within the first half-hour of his films. Hitchcock's longest cameo appearances are in his British films ''Blackmail'' and ''Young and Innocent''.〔Walker, Michael (2005) (Hitchcock's motifs ) Amsterdam University Press〕 He appears in all 30 features from ''Rebecca'' (his first American film) onward; before his move to Hollywood, he only occasionally performed cameos. == Cameo appearances in Hitchcock films == This is a list of Hitchcock's cameo appearances in films that he directed. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「List of Alfred Hitchcock cameo appearances」の詳細全文を読む スポンサード リンク
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